I just spent a week at a writing retreat called The Porches, a lovely spot in rural Virginia on the James River. Many times I've taken myself there to work without distractions, in a private room with a solid desk, and lots of peace and quiet. I got some good writing done that I look forward to continuing. I also edited a piece and submitted it. And I drank some good wine.
Also, I slept.
Trudy Hale, the owner and operator of The Porches, once told me that many writers arrive, set themselves up for good, focused work, then spend two days mostly sleeping. They are always surprised by this, and wonder why they're sleeping in or napping every day when they were so geared up to work. It's simple, Trudy says. They're tired.
Monday, September 14, 2015
Tuesday, September 1, 2015
Writing Habits: 3 Ways to Engage Your Subconscious Mind
Yesterday I read this article in Observer by Benjamin Hardy. This paragraph got me thinking about the power of the subconscious mind:
I've never thought in terms of "input" and "output" before, but now I'll probably use the words all the time because they fit so well into my beliefs about how the subconscious powers our writing.
The first thing to do when you wake up is output. This may be in the form of writing in a journal to capture all the work your subconscious has been doing while you were sleeping. Or immediately getting to the project you’re working on. When you get out of a meeting or finish any form of activity, rather than going directly to your email or other input, maximize your subconscious by going directly to output—your work.
I've never thought in terms of "input" and "output" before, but now I'll probably use the words all the time because they fit so well into my beliefs about how the subconscious powers our writing.
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